Prints

Transparencies Tones Descending
60 x 60 cms. 2006
Prints
A part of my present work, the red room series of embossed prints allows me to progress through
various modes of operation to produce each edition. Drawing, model making, photography,
sculptural mould, and embossing.
After some cursory sketches, comes the model making phase
with its interior decoration, furnishings, and illumination in 1:10 scale. It's then photographed
keeping in minds eye that a relief mould is constructed from the photographic image.
After which a giclee is printed on a 400grm embossing paper.
Following comes the sculptural phase of forming the relief mould in wood products by layering and bevelling in reverse to produce the
attendant perspectives. The final embossing phase begins by dampening the giclee print overnight.
The following day this is registered into the forms of the mould/matrix, with corresponding formed
felts positioned into the negative shaped image. This is then pressed under great pressure for 48
hours, insuring a crisp emboss and no cockling.

Transparencies Wedderburn
High Relief Emboss with embossing mould. 100 x 70 cms. 2006


Variable Pressure Print with two Reinforcements
100 x 80 cms. 2009

Variable Pressure Print with two Reinforcements
100 x 80 cms. 2009

Double Action Matrix Rio
Embossed Giclee 100 x 70 cms. 2014

Double Action Matrix Tierra
Embossed Giclee 100 x 70 cms. 2014

Andres se paso el verano entero remodelando su cuarto de baƱo
Embossed Giclee. 100 x 80 cms. 2014

Viendo James Turrell en la Tele
80 x 60 cms. 2018. Primero Premio Nacional Pilar Banus.
Looking at Sol Lewitt on the Flatscreen
Model Scale 1>10 first step for Embossed Print
Work in progress. 2019

Room in a Studio at 7:30 hrs.
Embossed Giclee. 77 x 56 cms. 2020.
